It’s been 50 years since Michelangelo Antonioni challenged audiences with his abstract film “Blow-Up.”
Frank Beaver opens the book on Groucho Marx through a new bio by Lee Siegel.
A classic movie house in Harbor Springs, Mich., is reborn, thanks to film fan Roger Blaser, BGS ’70.
Hopwood Awards season at U-M is an ideal time to remember the revered playwriting professor.
Frank Beaver deconstructs Haskell Wexler’s “Medium Cool” in a timely examination of media, morality, and more.
Frank Beaver examines the social and artistic legacy of controversial filmmaker D.W. Griffith.