It’s been 50 years since Michelangelo Antonioni challenged audiences with his abstract film “Blow-Up.”

A classic movie house in Harbor Springs, Mich., is reborn, thanks to film fan Roger Blaser, BGS ’70.

Frank Beaver deconstructs Haskell Wexler’s “Medium Cool” in a timely examination of media, morality, and more.

Frank Beaver opens the book on Groucho Marx through a new bio by Lee Siegel.

Hopwood Awards season at U-M is an ideal time to remember the revered playwriting professor.

Frank Beaver examines the social and artistic legacy of controversial filmmaker D.W. Griffith.

Frank Beaver focuses on some favorite cinematic fragments that flickered across our screens last year.

Frank Beaver screens “Spotlight” and “The Big Short” to celebrate the craft behind a well-made ensemble film.

Frank Beaver reviews an extraordinary doc about an “ordinary girl.”