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A busy Festifools studio.
A busy Festifools studio. Credit: Sydney Hawkins – Michigan News
Topics: Arts & Culture

(Festi)fools rush in

By Sydney Hawkins
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Teaching community engagement, visual literacy through Ann Arbor parade

Mark Tucker, co-founder and creative director of Festifools.

Mark Tucker, co-founder and creative director of Festifools. (Photo by Myra Klarman.) Larger image.

Mark Tucker, art director and head puppeteer for the U-M Lloyd Hall Scholars program, doesn’t just throw parades for fun.

He first dreamed of what would later become Ann Arbor’s beloved Festifools event on a visit to Viareggio, Italy, nearly 25 years ago. There, he learned the art of cartapesta — or papier-mâché — while working as art director at the Detroit Thanksgiving Parade (now titled America’s Thanksgiving Parade).

“When I first saw the Carnevale Viareggio and its elaborate, larger-than-life, moving puppets and caricatures — it was striking, so different from the corporate nature of parades here,” Tucker says. “From that point on, I knew that I wanted to figure out a way to replicate that experience in the U.S.”

Having returned to Ann Arbor 20 years after earning his MFA in painting at U-M, Tucker began teaching art to non-art majors, and in 2006, his idea to present an American Carnevale resurfaced.

“It was a confluence of ideas and experiences over many years that led me to that point,” he says. “I wanted to get the students in my ‘Art in Public Spaces’ class more involved in the community, so I decided that they would take the lead on puppet production for what we were hoping would be a fantastic parade, an event that would coincide with April Fools’ Day.”

Candy on the outside

Mark Tucker (right) assists U-M student Kaitlyn Moore (left) with her project in the Festifools Workshop.

Mark Tucker (right) assists U-M student Kaitlyn Moore (left) with her project in the Festifools Workshop. (Photo by Sydney Hawkins.) Larger Image.

Each January, the class begins the process of making their “three-dimensional kinetic sculptures” for Festifools. By the time they march through the streets in April, most students have spent more than 80 hours conceptualizing, constructing, plastering, and painting their whimsical creations that float 15-20 feet above the crowds.

“I’ve definitely learned patience,” says U-M freshman Kaitlyn Moore, who created two puppets to demonstrate diversity in color and beauty in African-American women. “I’m a perfectionist, so Mark has really taught me to go with the flow. If one thing doesn’t work, try something else.”

As the original plan intended, the project has become deeply embedded into the community; not only have they worked with elementary schools in Ann Arbor and Detroit, but some 300 volunteers join students each year to help them construct their puppets throughout the course of the semester — so much so, that they have had to put a cap on their Saturday morning volunteer shifts.

Nightwatch

Are you a Festifools fan? Share your memories in the comments below.
The overwhelming community response was a catalyst for FoolMoon, an event added five years after the original Festifools parade, that starts at dusk the Friday night prior.

“We imagined what the parade would look like at night, and that’s where we got the idea to make illuminated sculptures,” Tucker says. “It has added another dimension to our involvement with the community. The luminaries take less time to make, so more people can get involved, even children. We hold workshops and sell ‘do-it-yourself-kits’ at local businesses leading up to the event.”

Through all of the foolishness and merriment, however, Tucker says many of the projects presented by students and community members at the parade are often very personal.

“To me, the event is kind of like candy on the outside — it’s supposed to be fun and entertaining,” he says. “But on the inside, the purpose of it is to promote visual literacy within our community and encourage the students to learn how to communicate through art. Over the years, students have made artistic statements about a variety of difficult subjects ranging from abuse to racial discrimination.”

Promoting visual literacy

U-M student Luis Gago at work in the Festifools studio.

U-M student Luis Gago at work in the Festifools studio. (Photo by Sydney Hawkins.) Larger Image.

Freshman Luis Gago took inspiration from Bill Cosby this year.

“I loved him and looked up to him growing up,” he says. “After hearing about the recent rape allegations, I’m not really sure how I’m supposed to feel about this aspect of my childhood. So I decided to give him two faces that represent both personalities, both sides of the story.”

Another project by freshman Jasmine Womack featured two personified shoes: a Louis Vuitton heel and an Air Jordan basketball sneaker with teeth and blood.

“It’s about consumerism and obsession in our culture,” she says. “Why do people need to wear a certain pair of shoes or a certain brand to feel whole? People have died over these shoes.”

For many of the students, producing a puppet for Festifools is not only their first introduction to the Ann Arbor community, it’s a lesson in self-expression.

View a flickr slideshow from Tucker’s 2015 class.
“[Tucker's class] really taught me not to hold back,” says Kevin Yu, a U-M freshman whose puppet was inspired by negative influences of reality TV on society. “I was actually being very conservative with my original ideas. I didn’t realize that I had surrounded myself with so many rules. Mark kept asking, ‘Why not?’”

According to Tucker, the students’ grade is not only determined by their conception and completion of the project, but also their final performance and interaction with the crowd.

“In the end, it’s about bringing their sculptures to life in a fun, accepting community setting,” he says. “How does their art speak to the people they interact with? What might it mean to someone else?”
 
 
(Top image: A busy Festifools studio. Photo by Sydney Hawkins.)

Sydney Hawkins

Sydney Hawkins

SYDNEY HAWKINS joined the University in 2012 and currently manages communications, branding, and digital marketing strategy connected to the University of Michigan's arts and culture initiative. She spent eight years as a radio broadcaster in Michigan before working in marketing communications roles at University of Michigan Museum of Art (UMMA) and the Ann Arbor Area Convention & Visitors Bureau.