In December 1971, black students in Stockwell Hall submitted a list of grievances that suggested a sorry state of race relations in the all-female dormitory. The young women said they were suffering “gross inequities” and racial harassment; that black male visitors were treated shabbily by white staff and students; that white resident advisors had entered the locked rooms of black students in violation of the students’ leases; that Stockwell’s social activities were designed by and for white students; that white students who complained about rooming with blacks were promptly reassigned to white roommates. Black students in other dorms voiced similar complaints. “Black and white students, particularly in dormitories, seem to be suffering not so much from overt racism, as from failure to understand each other,” the Daily reported.“Whites try as much as possible to ignore blacks,” said an advisor in East Quad, “and blacks try as much as possible to ignore whites.”Two years earlier, in the spring of 1970, student protesters calling themselves the Black Action Movement had won significant concessions from the University administration. After eight days of students striking and national media attention, officials had pledged funding and support to raise black enrollment from less than two percent to ten percent within three years. The money had been provided as promised. But students were saying now the University was focusing only on raw numbers—dollars of financial aid and tallies of admitted black students—with insufficient attention to the problems of black students adjusting to life in an overwhelmingly white environment.
Now, in January 1972, some black students proposed a radical alternative called Afro-American Cultural Living Units. The fifth and sixth floors of South Quad and a corridor in Stockwell—some 400 spaces—would be set aside for students “who have an interest in Afro-American and African culture without regard to race, color and religion.” Without saying it in so many words, the proposals implied that racial integration at the University of Michigan simply was not working.This was a hard pill to swallow for many who had supported the civil rights movement as most whites had understood it, with its ideal of a colorblind society. U-M President Robben Fleming, reserving judgment for a time, summarized the division of opinion:
The arguments I hear run something like this: Most civil rights advocates have thought for some years that the principal way to resolve our racial tensions is to bring about greater integration. Because this proposal [for Afro-American Cultural Living Units] would doubtless have the de facto result of largely bringing black students into the specific living units, it would be a step backward from integration… The contrary argument is that integration may be an ideal, but it does not presently exist and we should therefore recognize transitional stages. Many of our white and black students who come to the University have had little exposure to one another previously, and it is too much to expect that tensions will disappear when they are brought together for the first time.
Debate escalated. The Detroit Urban League endorsed the plan, but the Michigan NAACP called it “a step away, if not back, from integration.” The national media began to call. A media-savvy student leader named Lee Gill, chairman of South Quad’s Minority Council (and later president of Student Government Council), told the New York Times the plan would enable black students to “establish a power base. This is not any type of Southern segregation. This is just a chance for black students to get themselves together.” Carl Cohen, a U-M professor of philosophy then serving as president of Michigan’s branch of the American Civil Liberties Union, retorted: “If we let one group live together, we are going to have to be consistent. We’ll have to let graduates of high schools live together if they want to, or football players, or Catholics.”

Paintings adorn minority student lounges at U-M. Above, a painting in South Quad’s Afro-American (Ambatana) Lounge. The artwork below is in Alice Lloyd Hall’s Umoja (formerly Newcomb) Lounge.
Sources include the papers of the Vice President for Student Services at the Bentley Historical Library, The Michigan Daily, and John Matlock, Gerald Gurin and Katrina Wade-Golden, “The Michigan Student Study: Students’ Expectations of Experiences with Racial/Ethnic Diversity,” Office of Academic Multicultural Initiatives, University of Michigan, 2000.