The order that launched the Revolutionary War, 250 years later

A portion of a yellowed letter with text written by quill and ink.

The ‘shot heard ’round the world’ can be traced to one manuscript containing the orders for the Concord Expedition on April 18, 1775. The quill-to-paper draft orders, penned by British Army officer Thomas Gage, sparked the Battle at Lexington and Concord the following day. U-M’s Clements Library holds the document.

  1. Woman photographs an exotic bird on a railing on a bridge.

    Web developer’s photography passion takes flight

    Jocelyn Anderson does not consider herself an expert birder. Not yet, at least. But one look at her website or Instagram account is like walking into an aviary chock full of birds from all corners of Michigan.

  2. Front facade of University Memorial Hall/UMMA which now features the word GIFT painted in white.

    Cannupa Hanska Luger ‘GIFTS’ U-M campus with public art installation

    The installation refers to the 1817 Treaty of Fort Meigs, which states that Ottawa, Chippewa, and Potawatomi tribes gifted the land to U-M upon which the Ann Arbor campus stands. The work contributes to a campuswide initiative to challenge University history.

  3. A sampling of colorful tapestries is draped over a stone balcony.

    Danielle Scarpulla: The beauty in fashion and in Stamps

    This Italy-based fashion designer and Stamps grad has experience working in luxury shoe design but is now breaking into linens and textiles to help add special flair to one’s home and wardrobe. She shares insights on breaking into the fashion industry and adapting as it evolves.

  4. A male artist wearing glasses and a work apron stands next to a colorful piece of multi-paneled art, including a butterfly and lots of eyeballs.

    Two sides of the coin: Endi Poskovic on “Arts & Resistance”

    The Fall 2023 Theme Semester — Arts & Resistance — reflects how creativity and making can arise from oppression and destruction. Arts & Resistance has generated public performances, courses, lectures, conferences, exhibitions, and mini-grants for students campuswide.

  5. A female and male scientist look at a computer screen with orange lines on it. There are equations on a blackboard in the background. The desk is messy.

    Cracking in lithium-ion batteries speeds up electric vehicle charging

    Rather than being solely detrimental, cracks in the positive electrode of lithium-ion batteries reduce battery charge time, a U-M research team reports. This runs counter to the view of many manufacturers, who try to minimize cracking because it decreases battery longevity.

  6. A super-enlarged image of microscopic particles that look like fluffy blue balls with webbing and other connective materials.

    Largest U.S. investment in particle self-assembly seeks to deliver on nanotechnology’s promise

    With applications in transportation, energy, health care and more, the center includes African universities and creates opportunities for overlooked talent in the U.S.

Creativity and connection across prison walls

One of the world’s largest and longest-running exhibitions of incarcerated artists is back with new programming designed to foster connection and deepen public understanding of incarceration in Michigan. The 29th annual Exhibition of Artists in Michigan Prisons, curated by U-M’s Prison Creative Arts Project, showcases 772 artworks by 538 artists incarcerated in 26 state prisons. The Duderstadt Center Gallery on U-M’s North Campus is presenting the artwork through April 1.

  • Most Wanted by Samantha Bachynski

    The exhibition features diverse styles and media, including paintings, portraits, tattoo imagery, landscapes, sculpture, fiber arts and found materials. Each fall, volunteers, including students, select the pieces and visit every prison in Michigan to interact directly with the artists. (See original image)

    Colorful night sky shows through tree branches. 2025 PCAP exhibition.

  • Tangerine Dreams by Matisse Bravo

    For over 35 years, PCAP has worked to bridge the gap between incarcerated individuals and the broader community through artistic collaboration, mutual learning and growth. The program has expanded to include undergraduate courses, weekly art workshops in Michigan prisons, an annual literary review and year-round events to foster dialogue and connection. (See original image)

    A plate of tangerines and tangerine slices on a green table with yellow wall. PCAP exhibition 2025.

  • Peacefulness by Susan Brown

    According to Emily Chase, PCAP’s exhibition and curatorial coordinator, themes of community and mentorship emerged strongly in this year’s collection. (See original image)

    Colorful landscape with stripes and a mountains. PCAP exhibition 2025.

  • Paths #2 by Kendall Leonard

    The exhibition allows incarcerated artists to have their voices heard beyond prison walls. “Their voices are so often silenced, and this is one of the few areas where they can feel heard,” says Mattie Levy, PCAP community engagement coordinator. (See original image)

    Colorful abstract painting from the 2025 PCAP exhibition.

  • Mountain Honey by Terry Stinebeck

    “We witnessed experienced artists mentoring newcomers and saw how the artistic efforts of one individual can motivate and inspire others,” says PCAP’s Emily Chase. (See original image)

    A serene landscape with a yellow sky and mountains. PCAP exhibition 2025.

  • House of Kards by Michael Browning

    Visitors to the Duderstadt exhibition can experience an audio tour that features select stories from some of the artists. (See original image)

    Abstract painting of a face card from a deck of cards. PCAP exhibition 2025.

  • Happiness Within by Groot

    This year, the exhibition introduced a new event, “Art and Music: A Collaborative Concert,” in which students performed original musical compositions inspired by select artworks. (See original image)

    Abstract image of youth with a surreal balloon. PCAP exhibition 2025.

  • Garden Escapades by Tim Brownell

    The concert that complemented the exhibition was a way to empower and unite with people impacted by the justice system through a shared love of creativity, says Ty Bloomfield, one of the event’s organizers. (See original image)

    A farm scene with crops growing in rows and red barn. PCAP exhibition 2025.

  • DMX by David Hudson-Bey

    The 2025 exhibition was presented with support from the Michigan Arts and Culture Council and the U-M Residential College. (See original image)

    Abstract of DMX painting with blues and greens. PCAP exhibition 2025.

  • Did I do that? by Daniel Teriberi

    For nearly three decades, the exhibition has provided a platform for incarcerated artists to share their work with the public, shedding light on personal narratives and the power of artistic expression. (See original image)

    Colorful abstract painting in 2025 PCAP exhibition.