Futuristic technology reveals secrets in ancient Vesuvius Scrolls

The Vesuvius Scrolls, appearing like petrified croissants, in a drawer.

When Italy’s Mount Vesuvius erupted in AD 79, it buried the palatial villa of Lucius Calpurnius Piso Caesoninus, Julius Caesar’s father-in-law. These black and brittle papyri may look like charred croissants, but U-M classicist Richard Janko believes they contain lost masterpieces of literature, history, and philosophy.

  1. ‘These young Americans’

    The first Japanese American workers arrived on the U-M campus in 1943. When they were willing to wash dishes and stock shelves, the University opened its doors. When they applied as students, the doors closed.

  2. Dick Gaskill and his photographic memory

    After seven decades, Michigan Marching Band photographer Dick Gaskill, BBA ’57, has finally put down his gameday camera. But all those memories at Michigan Stadium are forever printed in the pages of history, and on his heart.

  3. Water conservation and access will be yearlong focus at UMSI

    School of Information students are looking through the ‘lens of an information professional’ and using data to tackle urgent water-related issues in Michigan and around the globe. Partners in the school’s inaugural ‘theme year’ include representatives from the National Oceanic and Atmospheric Administration.

  4. Michigan Central Station set to open in 2024 with U-M grad turning the key

    Michigan Central CEO Joshua Sirefman, MUP ’96, is confident this 30-acre mobility district will become a global hub for innovation. The historic but long-abandoned Michigan Central Station is an icon in Detroit’s Corktown neighborhood.

  5. U-M reports record number of inventions in FY ’23

    Research led by the University of Michigan generated a record 580 new inventions last year and launched 25 startup companies ranging in scope from innovative therapies for the treatment of fibrosis to technologies that aid in substance abuse monitoring.

  6. Context counts: Holistic admissions boosts college success and diversity

    As college admissions officers adapt the Supreme Court’s ban on race-conscious admissions, U-M researchers find that contextualizing high school grades and test scores can help identify students from diverse backgrounds with strong academic achievement who will graduate.

The Art Show

Founded in 1990 with a single theatre workshop, the Prison Creative Arts Project (PCAP) is a program of U-M’s Residential College. Courses serve as gateways for undergraduate participation in prison arts workshops and provide academic training in issues surrounding incarceration and practical skills in the arts. The program’s Annual Exhibition of Artists in Michigan Prisons (“the art show”) is one of the largest exhibits of artwork by incarcerated artists in the world. The annual exhibition, free to the public, is presented with support from the Michigan Arts and Culture Council. It runs through April 2 at the Duderstadt Gallery. (Click on the images to enlarge. Images are courtesy of PCAP.) Learn more about PCAP.

  • “Bubblegum.” Artist: Jill Day

    PCAP exhibits bring the artwork of incarcerated artists into the public realm in order to humanize people in prison, break stereotypes, and create dialogue about mass incarceration. (View complete image.)

    Girl in bangs blows giant pink bubble until only her eyes are visible. Chartreuse background.
  • Two Fine Gentlemen. Artist: Mark Sanchez

    The 2024 exhibition features 750 works of art by 490 artists in two and three dimensions, including portraits, tattoo imagery, landscapes, fantasy, and wildlife, as well as images about incarceration and entirely new visions.

    Two dogs dressed like merry old gentlemen wearing top hats, monocles, etc.
  • Luxury Groove Bar. Artist: ꓘBurns

    “Every time I see art from this year’s exhibition, I see something new and inspiring,” says Nora Krinitsky, the Prison Creative Arts Project Project director. “Some artists use materials in ways I’ve never seen before and others are making art under some of the most difficult circumstances I can imagine.”

    Dancers enjoy funky honky tonk.
  • Days Gone. Artist: Aaron Rose

    This year’s exhibition stands out due to the increased participation of students throughout the art selection process. PCAP offered a new curation mini-course that required students to immerse themselves in the most critical aspect of the annual exhibition process: engaging with the artists directly and making informed selections of artworks for display at the annual exhibit.

    Barren landscape with a single tree
  • When Hope and Promise Fades. Artist: Christopher Levitt

    PCAP’s curatorial team staff and many students who participated in the art selection process this past fall dedicated two full days to a thematic analysis of the 750 art pieces they chose for the exhibition. (See original image.)

    Despondent man in profile hangs head
  • Be Strong. Be Safe. Be Well. Artist: Albert Krakosky III

    “Through engaging in reflective art-making and writing, the students explored and encountered both their own humanity and that of the artists,” says Emily Chase, PCAP arts programming coordinator.

    Inmate's view of dorm living.
  • Dreaming of a Way Out/Wishful Thinking. Artist: Radus

    “I marveled at the use of humor and fun that we saw across facilities this year overall,” said programming coordinator Chase. “Satire can be a way of getting through rough, hopeless, or painfully absurd moments. But it can also communicate complex ideas or states of being in a way that is both accessible and clever.” This year, organizers are emphasizing storytelling and artists’ voices in the gallery in an audio tour.

    Pastel watercolor of alien abduction as unicorn watches
  • King’s Gambit. Artist: Marte’nez Sr.

    The free exhibition runs through April 2 at the Duderstadt Gallery, 2281 Bonisteel Blvd., on U-M’s North Campus in Ann Arbor. Gallery hours are Noon-6 p.m. Sunday and Monday; 10 a.m.-7 p.m. Tuesday through Saturday.

    Older gentleman behind bars plays chess with child. Reddish brown