The order that launched the Revolutionary War, 250 years later

A portion of a yellowed letter with text written by quill and ink.

The ‘shot heard ’round the world’ can be traced to one manuscript containing the orders for the Concord Expedition on April 18, 1775. The quill-to-paper draft orders, penned by British Army officer Thomas Gage, sparked the Battle at Lexington and Concord the following day. U-M’s Clements Library holds the document.

  1. Black and white photo of a caucasian priest wearing a collar with African American female sitting on a desk.

    The unsinkable Sarah E. Ray

    In 1945, Sarah Elizabeth Ray was denied passage on a ferry on the Detroit River because she was Black. She fought the injustice, became a civil rights activist, and her case went all the way to the U.S. Supreme Court. Now, her legacy is being preserved in a collection coming to the Bentley Historical Library.

  2. Bearded caucasian man with an eye patch, wearing an Ann Arbor t-shirt in front of a banner that reads Help Ukraine, which is signed by many people.

    Kinesiology professor brings compassion, hope to refugee children

    As the Russia-Ukraine war developed, soccer fan Michal Lorenc found an unexpected calling, reuniting him with his birthplace in Lublin, Poland, to bring joy to its most vulnerable — the children.

  3. Green leaves and berries in clear blender.

    Hungry for more: Cancer, metabolism, and food

    Metabolism pathways make tumors sensitive or resistant to treatments. A collaborative group of U-M scientists is leveraging these avenues to explore the growing foundation of new potential therapies.

  4. Scale between money and time

    U-M economic forecast: Modest growth expected, soft landing likely as inflation eases, but no guarantees

    U-M experts say the U.S. economy should avoid a recession over the next two years, though economic growth will be modest as many consumers deal with high interest rates and dwindling savings.

  5. Piece of a poster promoting Emma Goldman speech in Dec. 1916.

    When ‘Red Emma’ came to town

    In the 1910s, anarchist, writer, and provocateur Emma Goldman, described by J. Edgar Hoover as ‘the most dangerous woman in America,’ paid regular visits to Ann Arbor. She described one rowdy U-M crowd as ‘pampered parasites, not one of them with enough backbone to fight a flea.’

  6. Abstract image of gold miners on a seemingly snowy evening.

    Genre-jumping Fulbright scholar takes a novel path

    Aspiring scientist Ariel Djanikian, MFA ’04, read the writing on the lab wall when she found herself prioritizing creative writing over her latest experiment. Her fascinating and often tragic family history informs a recurring theme in both of her novels: the obliteration of one group of people for the convenience of another.

Creativity and connection across prison walls

One of the world’s largest and longest-running exhibitions of incarcerated artists is back with new programming designed to foster connection and deepen public understanding of incarceration in Michigan. The 29th annual Exhibition of Artists in Michigan Prisons, curated by U-M’s Prison Creative Arts Project, showcases 772 artworks by 538 artists incarcerated in 26 state prisons. The Duderstadt Center Gallery on U-M’s North Campus is presenting the artwork through April 1.

  • Most Wanted by Samantha Bachynski

    The exhibition features diverse styles and media, including paintings, portraits, tattoo imagery, landscapes, sculpture, fiber arts and found materials. Each fall, volunteers, including students, select the pieces and visit every prison in Michigan to interact directly with the artists. (See original image)

    Colorful night sky shows through tree branches. 2025 PCAP exhibition.

  • Tangerine Dreams by Matisse Bravo

    For over 35 years, PCAP has worked to bridge the gap between incarcerated individuals and the broader community through artistic collaboration, mutual learning and growth. The program has expanded to include undergraduate courses, weekly art workshops in Michigan prisons, an annual literary review and year-round events to foster dialogue and connection. (See original image)

    A plate of tangerines and tangerine slices on a green table with yellow wall. PCAP exhibition 2025.

  • Peacefulness by Susan Brown

    According to Emily Chase, PCAP’s exhibition and curatorial coordinator, themes of community and mentorship emerged strongly in this year’s collection. (See original image)

    Colorful landscape with stripes and a mountains. PCAP exhibition 2025.

  • Paths #2 by Kendall Leonard

    The exhibition allows incarcerated artists to have their voices heard beyond prison walls. “Their voices are so often silenced, and this is one of the few areas where they can feel heard,” says Mattie Levy, PCAP community engagement coordinator. (See original image)

    Colorful abstract painting from the 2025 PCAP exhibition.

  • Mountain Honey by Terry Stinebeck

    “We witnessed experienced artists mentoring newcomers and saw how the artistic efforts of one individual can motivate and inspire others,” says PCAP’s Emily Chase. (See original image)

    A serene landscape with a yellow sky and mountains. PCAP exhibition 2025.

  • House of Kards by Michael Browning

    Visitors to the Duderstadt exhibition can experience an audio tour that features select stories from some of the artists. (See original image)

    Abstract painting of a face card from a deck of cards. PCAP exhibition 2025.

  • Happiness Within by Groot

    This year, the exhibition introduced a new event, “Art and Music: A Collaborative Concert,” in which students performed original musical compositions inspired by select artworks. (See original image)

    Abstract image of youth with a surreal balloon. PCAP exhibition 2025.

  • Garden Escapades by Tim Brownell

    The concert that complemented the exhibition was a way to empower and unite with people impacted by the justice system through a shared love of creativity, says Ty Bloomfield, one of the event’s organizers. (See original image)

    A farm scene with crops growing in rows and red barn. PCAP exhibition 2025.

  • DMX by David Hudson-Bey

    The 2025 exhibition was presented with support from the Michigan Arts and Culture Council and the U-M Residential College. (See original image)

    Abstract of DMX painting with blues and greens. PCAP exhibition 2025.

  • Did I do that? by Daniel Teriberi

    For nearly three decades, the exhibition has provided a platform for incarcerated artists to share their work with the public, shedding light on personal narratives and the power of artistic expression. (See original image)

    Colorful abstract painting in 2025 PCAP exhibition.