Just as our world devolves into a dystopia worthy of a comic-book series, award-winning author Saladin Ahmed, ’99, sends two minority superheroes to the rescue.

The coronavirus’ spiky ball tells a story, and if people understood it better they might feel more confident about defeating it, says the scientist who founded U-M’s BioArtography Project.

Why is it important to prioritize art-making as a way to alleviate anxiety and loneliness? How can art-making be considered a service? Artist Cullen Washington Jr., whose solo exhibition, ‘The Public Square,’ opened pre-pandemic, shares insights.

This sentimental collection of essays by Peter Damm, BA ’71, takes you to a world of softly faded Polaroids and crackly AM radios. There are summer hijinks at Lake Michigan, poignant life lessons from the youngest of six Catholic children, and hilarious confessions that are both intimately personal and wholly relatable.

How painting an abstract Nike AJ1 helped self-proclaimed ‘Adidas man’ Shane Ward, BFA ’96, claim his power — and his grace — as an artist, apprentice, and African American man in 2020.

Instead of earning a stranger’s trust and documenting a moment in time for their final projects, students photographed loved ones in lockdown.

This fiction guru/publisher has spent decades curating his Mysterious Press and Mysterious Bookshop. Penzler often consults with ‘regulars’ like Stephen King and James Patterson — and he suggests these thrillers to pass the pandemic.

‘New Yorker’ essayist Jia Tolentino, MFA ’14, explores the ‘peculiar effects’ of self-deception, self-destruction, and the performance of identity in ‘Trick Mirror.’

In this episode, we visit the University of Michigan’s Bentley Library archives. ‘Michigan Today’ historian Jim Tobin reads letters, telegrams, and handwritten notes between ‘Esquire’ magazine founder Arnold Gingrich, BA ’25, and two of his quirkiest contributors: Ernest Hemingway and F. Scott Fitzgerald. If you love language, you must listen in. Utterly exquisite.