The order that launched the Revolutionary War, 250 years later

A portion of a yellowed letter with text written by quill and ink.

The ‘shot heard ’round the world’ can be traced to one manuscript containing the orders for the Concord Expedition on April 18, 1775. The quill-to-paper draft orders, penned by British Army officer Thomas Gage, sparked the Battle at Lexington and Concord the following day. U-M’s Clements Library holds the document.

  1. Grid of machinery

    Not so simple machines: Cracking the code for materials that can learn

    It’s easy to think that machine learning is a completely digital phenomenon, made possible by computers and algorithms that can mimic brain-like behaviors. But the first machines were analog and now, a small but growing body of research is showing that mechanical systems are capable of learning, too, say physicists at U-M.

  2. Older man in white hair and trenchcoat surrounded by protesters with bullhorns and signs. U-M campus, 1988. Robben Fleming.

    Who was Robben Fleming?

    U-M Regent Philip Power once remarked that Robben Fleming, U-M president from 1968-78, viewed clashes as the engine of progress. Power wasn’t wrong. Fleming’s background in labor law prepared him for the tumultuous decade when student protest and anti-war sentiment captivated the campus.

  3. Middle-aged caucasian woman and man, both wearing glasses and smiling, stand in front of the class photos of dental alumni at the U-M School of Dentistry.

    Dental alumni discover they have more than Michigan in common: They are siblings

    This brother and sister went through the U-M dental school one year apart but never knew about each other until 30 years later. Today, they enjoy a newly expanded network of relatives, friends, and of course, Michigan alumni.

  4. A screenshot of the game display shows the quadcopter following a green path around the rings. The inset shows a hand avatar. The neural implant records from nearby neurons and algorithms determine the intended movements for the hand avatar. The finger positions are then used to control the virtual quadcopter. (Image credit: Nature Medicine.)

    ‘Unprecedented’ level of control allows person without use of limbs to operate virtual quadcopter

    A brain-computer interface, surgically placed in a research participant with paralysis in all four limbs, provided him an unprecedented level of control over a virtual quadcopter — just by thinking about moving his unresponsive fingers. Such groundbreaking technology could impact one’s ability to socialize, work, and enjoy recreational activities.

  5. Extreme closeup of small gadget being held by gloved hands. The U-M discovery is a new water purification technology that helps turn seawater into drinking water without tons of chemicals.

    New water purification technology helps turn seawater into drinking water without tons of chemicals

    Cutting acid and base treatments from conventional desalination plants could save billions of dollars globally, making seawater a more affordable option for drinking water, say experts at U-M. A study describing the new technology has been published in Nature Water by engineers at Michigan and Rice University.

  6. Five young men crowd around a table, on which a skeleton lies. The men are medical students of the late 19th/early 20th century. The image is sepia. A youngish man in cap gestures with a pencil while the others observe. An early anatomy ab at the University of Michigan.

    The Breakey Boys: A dynasty of doctors

    Over 166 years, five successive generations of Michigan-minted doctors have left their collective mark on medicine — and the Breakey family. The birth of the Breakey dynasty of doctors coincides closely with the birth of the University of Michigan Medical School, which opened 175 years ago. That’s James Fleming Breakey, MD 1894, on the far right.

Creativity and connection across prison walls

One of the world’s largest and longest-running exhibitions of incarcerated artists is back with new programming designed to foster connection and deepen public understanding of incarceration in Michigan. The 29th annual Exhibition of Artists in Michigan Prisons, curated by U-M’s Prison Creative Arts Project, showcases 772 artworks by 538 artists incarcerated in 26 state prisons. The Duderstadt Center Gallery on U-M’s North Campus is presenting the artwork through April 1.

  • Most Wanted by Samantha Bachynski

    The exhibition features diverse styles and media, including paintings, portraits, tattoo imagery, landscapes, sculpture, fiber arts and found materials. Each fall, volunteers, including students, select the pieces and visit every prison in Michigan to interact directly with the artists. (See original image)

    Colorful night sky shows through tree branches. 2025 PCAP exhibition.

  • Tangerine Dreams by Matisse Bravo

    For over 35 years, PCAP has worked to bridge the gap between incarcerated individuals and the broader community through artistic collaboration, mutual learning and growth. The program has expanded to include undergraduate courses, weekly art workshops in Michigan prisons, an annual literary review and year-round events to foster dialogue and connection. (See original image)

    A plate of tangerines and tangerine slices on a green table with yellow wall. PCAP exhibition 2025.

  • Peacefulness by Susan Brown

    According to Emily Chase, PCAP’s exhibition and curatorial coordinator, themes of community and mentorship emerged strongly in this year’s collection. (See original image)

    Colorful landscape with stripes and a mountains. PCAP exhibition 2025.

  • Paths #2 by Kendall Leonard

    The exhibition allows incarcerated artists to have their voices heard beyond prison walls. “Their voices are so often silenced, and this is one of the few areas where they can feel heard,” says Mattie Levy, PCAP community engagement coordinator. (See original image)

    Colorful abstract painting from the 2025 PCAP exhibition.

  • Mountain Honey by Terry Stinebeck

    “We witnessed experienced artists mentoring newcomers and saw how the artistic efforts of one individual can motivate and inspire others,” says PCAP’s Emily Chase. (See original image)

    A serene landscape with a yellow sky and mountains. PCAP exhibition 2025.

  • House of Kards by Michael Browning

    Visitors to the Duderstadt exhibition can experience an audio tour that features select stories from some of the artists. (See original image)

    Abstract painting of a face card from a deck of cards. PCAP exhibition 2025.

  • Happiness Within by Groot

    This year, the exhibition introduced a new event, “Art and Music: A Collaborative Concert,” in which students performed original musical compositions inspired by select artworks. (See original image)

    Abstract image of youth with a surreal balloon. PCAP exhibition 2025.

  • Garden Escapades by Tim Brownell

    The concert that complemented the exhibition was a way to empower and unite with people impacted by the justice system through a shared love of creativity, says Ty Bloomfield, one of the event’s organizers. (See original image)

    A farm scene with crops growing in rows and red barn. PCAP exhibition 2025.

  • DMX by David Hudson-Bey

    The 2025 exhibition was presented with support from the Michigan Arts and Culture Council and the U-M Residential College. (See original image)

    Abstract of DMX painting with blues and greens. PCAP exhibition 2025.

  • Did I do that? by Daniel Teriberi

    For nearly three decades, the exhibition has provided a platform for incarcerated artists to share their work with the public, shedding light on personal narratives and the power of artistic expression. (See original image)

    Colorful abstract painting in 2025 PCAP exhibition.